How much provocation can one speaker pack into just 54 minutes? In this recording of a talk given at UC Berkeley on April 26, 1968, the then-newly-hired film critic for The New Yorker, Pauline Kael, goes a great distance toward answering that question as she brutalizes Underground cinema, Arthur Penn, and the institutional imperatives of mass-market film criticism.
And those are but three of the targets upon which she opens fire.
It's a cheap and perhaps underhanded method of generating content for this blog, but I've little doubt even the cinephile contingent will find something in this recording to chew over (if not here, then elsewhere). For this is, without question, the single most compelling extemporaneous presentation on the subject of film I've ever heard.
The Art of the Gig #70
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