I'm beginning to realize that it's a lot easier for me to write on this blog when something crops up unbidden and unexpected, that strikes within me a primal chord, thus driving me up the proverbial wall and back again. Only then, when larger events conspire to irritate the bejesus out of me, does the act of annealing my furies and casting them into words hereabouts seem at all tenable.
Just such a moment arrived today . . . actually in the wee small hours of this morning, while the whole wide world (except me) was fast asleep . . . but before I give full license to my spleen, I should perhaps make an inquiry that bears somewhat upon the matter at hand:
Was anyone reading these words aware that a "a radically different version" of a Buster Keaton feature from the early 20s had been unearthed within the last nine months?
I know this all seems terribly cryptic at the moment but, believe me, it's better for the fortunes of what I was intending to post today that I first get a read on how bloody typical this matter really is.
Update (11/23): It now seems that no detonation from this quarter will be necessary. It had been my suspicion that a rediscovered 46-minute work-print of Buster Keaton's Our Hospitality (which was screened in Muskegon, Michigan on October 3 and has not been heard of since) was falling prey to a very old and depraved and all-too typical impulse. Namely that this once-lost alternate version was, for all intent, about to get itself lost again. I learn now that an intended press release has been held up these last two months due to illness.
There's more detail (not a lot more, but more) in the comment section of this post, but it's of little consequence. I certainly can't prove anything, so I'll table this . . . for now . . . and eagerly await the next stage of this film's public unveiling.
Forgotten Noir Fridays: Hi-Jacked (1950)
10 hours ago